Tag Archives: slate art

Landing

‘Landing’ (33.5 x 24 x 7 cm).

©HatchBurnCarve

Now available to own. Please follow this link to my Etsy shop, or contact me directly (using the contact form on this website, or email hatchburncarve@yahoo.co.uk).

Carved from an approximately 300 year old Cornish roof slate, ‘Landing’ is a representation of three crow forms and the silhouettes made by these birds as they transition from flight to landing.

The silhouettes were drawn and designed for carving after capturing many photographs of corvids in the Scottish Borders, East Lothian and Cornwall.

A tactile piece with contrasting textures between the relief carved polished crows and the gold enamelled background. The background has been meticulously hand enamelled using professional monument/memorial enamel.

The base is hand made from reclaimed hardwood, sanded and polished with beeswax.

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Om Ah Hung Slate Monoliths

These monoliths were cut, carved, enamelled and polished from 2.5 cm thick slabs of reclaimed building cladding. From start to finish, this was a project of intense concentration and precise measurements until their final installation in a garden in Devon.

The above image shows the three syllables chiselled out and in the process of adding relief ‘detailing’ with my Foredom.

The above image shows the Hung syllable after carving the ‘detailing’.

The Hung syllable after polishing and adding three coats of signwriters/monument enamel.

After carefully transporting the three stones over a journey of 400 miles, my wife and I spent around 10 hours digging the trench (in appalling ground conditions!) for the installation. Firstly, the plinths were assembled- these were pre-cut slate slabs and monoblocks adhered using CT-1 construction adhesive;

Once in place and all levels were correct, the trench was filled with concrete;

The ground was returned to the original state, wrappings removed and the stones unveiled;

 

 

 

 

 

Pictish Stag Slate Plaque

Pictish stag slate wall plaque, freehand carved and enamelled (15 x 16 cm). Based on the carving from a Class I Pictish stone from Grantown on Spey (now housed in the National Museum of Scotland, Edinburgh).

This one is now sold (and with a customer from Grantown on Spey!), but I will be making more and they are available to order.

 

New Etsy Shop

I’ve finally got round to setting up my Etsy shop after many requests and questions regarding the purchase of my work;

https://www.etsy.com/shop/HatchBurnCarve

I’ve listed some of my new stone stack pendants, rune stones and candle holders as well as the chance to own some of the pieces I have created for exhibitions during the last year.

If you would like me to add anything specific, just let me know (use my contact form or email hatchburncarve@yahoo.co.uk).

I also welcome commissions and personal orders!

 

Tibetan Skull Plaques

I based these skulls on a photograph of an ancient (and very worn) Tibetan Buddhist stone.

These are all freehand carved before sanding/polishing to 1200 grade. Enamelled with professional signwriters enamel before finishing with slate sheen. Sizes range from 7 x 10 cm to 9 x 10.5 cm. Available to buy now.

 

‘Bronze, Bone and Silence’

‘Bronze, Bone and Silence’

Reclaimed slate hearth stone, Cornish beach stones, wood. 37.2 x 23.1 x 17.0 cm.
Insertion of a short cist burial in a stone setting. The skeleton is a reflection upon burials such as those found at Newhaven in Edinburgh and Cladh Hallan in South Uist. The stones around are carved with cup and ring markings based on prominent constellations seen in the skies above Scotland during the four seasons (Orion in Winter, Leo in Spring, Cygnus in Summer and Perseus in Autumn). The style of cup and ring markings reflects those found at Ballymeanoch Stone Row and Nether Largie Standing Stones in Kilmartin Glen. Dimensions of the wooden base correspond to the Golden Ratio/Phi.
This was included in the ‘Shambhala at Shambellie’ exhibition at Shambellie House, New Abbey nr Dumfries (17th to 29th August 2017).

The Orion Stone

The Leo Stone

The Cygnus Stone

The Perseus Stone

Close up of the skeleton

‘Sidereal Signs’

‘Sidereal Signs’ (39.5 x 13 cm).
Based on cup and ring markings from ‘the Runic Cross’ (Innerleithen), a cup and ring marked stone found at Lamancha in 1868 (now in the National Museum of Scotland) and a cup and ring marked stone found at Lyne in 1959 (now in Peebles Museum).

Part of ‘A Sense of Place’ exhibition showing in the Tweeddale Museum and Gallery, Peebles from 5th August to 2nd September 2017.

 

‘An Athame for the Leithen’

‘An Athame for the Leithen’ (20 x 3.5 cm). Slate from the disused quarry at Altarstone, Stobo. Wood from one of the old church pews from the Church of Scotland, Innerleithen. Blade carvings replicate the cup and ring markings from the so-called ‘Runic Cross’, now housed in the aforementioned church.

Part of ‘A Sense of Place’ exhibition showing in the Tweeddale Museum and Gallery, Peebles from 5th August to 2nd September 2017.

 

‘An Athame for the Tweed’

Slate, wood, wax twine (18 x 3 cm). Slate from the disused quarry at Altarstone, Stobo. Blade carvings replicate Mason’s marks found on Tweed Bridge and Neidpath Castle.

Part of ‘A Sense of Place’ exhibition showing in the Tweeddale Museum and Gallery, Peebles from 5th August to 2nd September 2017.

 

‘Cutting Teeth I’

‘Cutting Teeth I’ (30 x 6 cm). Slate, sheep jawbone and pitch pine resin. Slate from the disused quarry at Altarstone, Stobo. Sheep jawbone found on the slopes of Lee Pen, Innerleithen. Pitch pine resin made traditionally using pine resin from Caberstone Forest, rabbit droppings from Thornielee Forest and charcoal from an old rowan tree in Innerleithen. Part of ‘A Sense of Place’ exhibition showing in the Tweeddale Museum and Gallery, Peebles from 5th August to 2nd September 2017.