A stable sign for Hugo the horse (30 x 25 cm). Hand carved from a reclaimed roof slate.
Design © Hatch, Burn, Carve.
Pictish stag slate wall plaque, freehand carved and enamelled (15 x 16 cm). Based on the carving from a Class I Pictish stone from Grantown on Spey (now housed in the National Museum of Scotland, Edinburgh).
This one is now sold (and with a customer from Grantown on Spey!), but I will be making more and they are available to order.
In 2017, I was commissioned to make three very special stones for a very special place.
This place is Talliston House & Gardens, a three bedroom ex-council house in Essex which has been transformed over 25 years into a magical wonderland. I was already making Talliston Talismans which are sold at the house and online (https://folksy.com/shops/Talliston/collections/254123-talliston-talismans), but last year I was asked to create these three Sanskrit stones for placement in San Phra Phum, the Cambodian Treehouse Sanctuary at the very top of Talliston.
From start to finish, this was a process of liminality, of borders and thresholds. The stones I used were found on a day at the start of a new year. A day where mist clung to the land and there was no discernable distinction between the earth, sea and sky. We headed to the ocean, to a beach near the Devon/Cornwall border and with the mantra ‘Know Thyself, Trust Thyself, Be Thyself’ turning over in my mind, I let my internal subconscious self override any expectation or longing to find the stones. Connecting to the Genius Loci of the beach, the stones finally came to be in my hands. We left a gift and thanked this spirit of place.
The stones travelled with me across the imaginary line separating England and Scotland. In my Scottish Borders workshop, I spent a number of days consumed in the process of creating the three stones, hand carving the Sanskrit outlines with diamond burrs and my Foredom power carver before using hammer and chisel to bring the mantras into relief.
The stones complete, they travel with us once again, across country and county boundaries to their final destination within Talliston. We spend an amazing evening in the lovely company of John Trevillion and Marcus G J Cotton with a tour of Talliston House & Gardens, and some great food. We climb a ladder from The Hall of Mirrors (Italy, 1992) into the Treehouse Sanctuary (Cambodia, 1965) and pass the stones up. The stones are unwrapped and carefully placed in front of the Buddhist altar, finally in their rightful place after a journey of more than 1000 miles.
If you are lucky enough to visit ‘Britain’s Most Extraordinary Home’ and are permitted to handle the stones, you will see my makers mark on the reverse along with the year ‘1965’. I carved these stones before I was born.
You can read more about these stones in the Summer 2017 edition of Talliston Times, free to download here;
I’ve finally got round to setting up my Etsy shop after many requests and questions regarding the purchase of my work;
I’ve listed some of my new stone stack pendants, rune stones and candle holders as well as the chance to own some of the pieces I have created for exhibitions during the last year.
If you would like me to add anything specific, just let me know (use my contact form or email email@example.com).
I also welcome commissions and personal orders!
I based these skulls on a photograph of an ancient (and very worn) Tibetan Buddhist stone.
These are all freehand carved before sanding/polishing to 1200 grade. Enamelled with professional signwriters enamel before finishing with slate sheen. Sizes range from 7 x 10 cm to 9 x 10.5 cm. Available to buy now.
‘Bronze, Bone and Silence’
Reclaimed slate hearth stone, Cornish beach stones, wood. 37.2 x 23.1 x 17.0 cm.
Insertion of a short cist burial in a stone setting. The skeleton is a reflection upon burials such as those found at Newhaven in Edinburgh and Cladh Hallan in South Uist. The stones around are carved with cup and ring markings based on prominent constellations seen in the skies above Scotland during the four seasons (Orion in Winter, Leo in Spring, Cygnus in Summer and Perseus in Autumn). The style of cup and ring markings reflects those found at Ballymeanoch Stone Row and Nether Largie Standing Stones in Kilmartin Glen. Dimensions of the wooden base correspond to the Golden Ratio/Phi.
This was included in the ‘Shambhala at Shambellie’ exhibition at Shambellie House, New Abbey nr Dumfries (17th to 29th August 2017).
The Orion Stone
The Leo Stone
The Cygnus Stone
The Perseus Stone
Close up of the skeleton